With little in the way of formal training in ceramics, I work intuitively with clay, exploring a variety of techniques to create intriguing forms. My process often involves alternative firing methods, which result in dramatic marks and patterns on the surface of the clay. Being mostly self-taught allows me the freedom to experiment and try anything that comes to mind—failures are merely steps toward progress and understanding.

One of my favored techniques is saggar firing, using a mixture of organic and inorganic materials to fume unique patterns onto the clay. Each kiln opening is a moment of surprise, revealing unexpected and exciting results. My studio, nestled in the garden, serves as a sanctuary from the hustle and bustle of daily work and family life, where time seems to stand still, providing a peaceful space for creation and reflection.